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Just an additional thought regarding the part that it sounds like you're trying to make (guitar?)
I think that I've seen these made utilising a 'joggle' ring that it placed into one half of the split mould prior to laminating and it sound like it might suit your intended production method more, as it does sound like making a guitar body in a closed mould as you've described would be very difficult to do well via hand lay-up
Basically you'd be making both upper and lower sections separately, but one half would have the narrow joggle (a slight step that matches the intended thickness of your the other half) placed around the top section of one mould prior to laying-up the fabric. Once cured, the joggle ring is removed first to leave you with a flange onto which you can bond the other half of the laminate. You would create the joggle ring by laminating around the top section of one of your mould halves, but the trick is to control carefully its thickness, so that you end up with a flange that closely matches the thickness of the other half of the guitar body (which helps to achieve a neat join in the middle).
Of course, the downside is that you have a visible join of the two parts around the middle, but you could fill and paint over to hide the join or even try to make this a bit of a feature. If you have a search around YouTube I'm certain that you'll find examples of this technique being employed although, as alluded to already, the use of vacuum pressure (particularly resin infusion) would lead to a more consistent consolidation of the materials and control of thicknesses
Just a thought, as it might be a more realistic approach to achieving a decent-looking end product if you are limited to hand lamination
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